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                                            <image:caption>PART OF THE AV HARDWARE SETUP IN THE STUDIO.</image:caption>
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        </url>
            <url>
                        <loc>https://portfolio.eglesaka.com/nba-glitch</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/O1557997974904993146091970727397/GLITCH ON TNT / NBA journey through COVID-19 pandemic / analog glitch VFX</image:loc>
                                            <image:caption>WATCH FULL FILM ON YOUTUBE &lt;text-icon icon=&quot;youtube&quot;&gt;&lt;/text-icon&gt;</image:caption>
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        </url>
            <url>
                        <loc>https://portfolio.eglesaka.com/quickly-quickly-spotify</loc>
            
            
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        </url>
            <url>
                        <loc>https://portfolio.eglesaka.com/sisyphean-video-+-canvas</loc>
            
            
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        </url>
            <url>
                        <loc>https://portfolio.eglesaka.com/vfx-mix</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/K1557962946032183441623925624293/MY-VFX-REEL-RAW-EDIT-low-bitrate-pass.mp4</image:loc>
                                            <image:caption>SHOWREEL OF CUSTOM GLITCH LOGOS AND VISUALISERS</image:caption>
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        </url>
            <url>
                        <loc>https://portfolio.eglesaka.com/video</loc>
            
            
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        </url>
            <url>
                        <loc>https://portfolio.eglesaka.com/music-videos</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/I1558062947418227011442257399269/Sketches for D I S A P P E A R I I N G - No. 1. - Marko Paunovic [soundscapes] &amp; Egle Saka [video]</image:loc>
                                            <image:caption>&lt;h2&gt;&lt;b&gt;Sketch No. 1&lt;/b&gt;&lt;/h2&gt;&lt;br /&gt;1. the compositional process is based on the reduction and repetition of the musical material.&lt;br /&gt;1.1. anticipating the running of waves (always the same, yet always different) the ostinato line (tape-recorded track) is derived by placing (and placing again) differently-pitched layers into a repetitive counterpoint order.&lt;br /&gt;&lt;br /&gt;7. not an homage, but a consecration.&lt;br /&gt;7.1. to bas jan ader&lt;br /&gt;7.1.1 and his (certainly non-narrative!) (odyssey-like) journey (no return) ’in search of the miraculous’.&lt;br /&gt;&lt;br /&gt;[visual] - &lt;b&gt;Visual narrative mirrors the ceaseless ocean, birthing and fading eternally – a perpetual circadian rhythm. &lt;/b&gt;[visual] - All videos have been re-scanned from old VHS tapes and captured with unique imperfections due to tape decay.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B1558063280511084750415630929381/Sketches for D I S A P P E A R I I N G - No. 2. - Marko Paunovic [soundscapes] &amp; Egle Saka [video]</image:loc>
                                            <image:caption>&lt;h2&gt;&lt;b&gt;Sketch No. 2&lt;/b&gt;&lt;/h2&gt;&lt;br /&gt;2. although fragmented, the form can be observed as circular (whirling).&lt;br /&gt;2.1. the repetition of practically identical pitches in the same octave position does not imply the experience of the music flow staticity. &lt;br /&gt;2.1.1. the rejection of the imposed direction of movement may refer to a peculiar “monotony of moving still” (non-narrativity).&lt;br /&gt;2.2. a single musical supstance fulfills the piece in its entirety (accumulation) (harmony).&lt;br /&gt;2.2.1. a fragment acquires the meaning of the whole.&lt;br /&gt;2.3. the time dimension is depersonalised (relativised) (positioned exclusively within the ephemeral moment (now)).&lt;br /&gt;&lt;br /&gt;7. not an homage, but a consecration.&lt;br /&gt;7.1. to bas jan ader&lt;br /&gt;7.1.1 and his (certainly non-narrative!) (odyssey-like) journey (no return) ’in search of the miraculous’.&lt;br /&gt;&lt;br /&gt;[visual] - &lt;b&gt;This segment delves into the tactile world of soil, exploring its texture in monochromatic black and white. A visual journey through meditative walks over land that once lay beneath the sea.&lt;/b&gt;&lt;br /&gt;[visual] - All videos have been re-scanned from old VHS tapes and captured with unique imperfections due to tape decay.&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y1558063528527558821440552406501/Sketches for D I S A P P E A R I I N G - No. 3. - Marko Paunovic [soundscapes] &amp; Egle Saka [video]</image:loc>
                                            <image:caption>&lt;h2&gt;&lt;b&gt;Sketch No. 3&lt;/b&gt;&lt;/h2&gt;&lt;br /&gt;3. chromatic (psychonavigational) sound whirl achieved by inciting the affective ((and) unconscious) contents imposes the role of an active participant on the listener.&lt;br /&gt;3.1. ‘ ... the listener only perceives the models (or events) in sequence, concurrently trying to depict the context of the proposed musical continuum on their own. at some point during the listening, the diffuse attention of the listener, a result of the constant expectation of a shift in the music flow, emerges as an experience of ‘saturation’ which forces the listener to listen in a different manner, ‘from the start’.’&lt;br /&gt;&lt;br /&gt;7. not an homage, but a consecration.&lt;br /&gt;7.1. to bas jan ader&lt;br /&gt;7.1.1 and his (certainly non-narrative!) (odyssey-like) journey (no return) ’in search of the miraculous’.&lt;br /&gt;&lt;br /&gt;[visual] - &lt;b&gt;Abstract exploration of the blurred world of flora, resembling the duality in perception. Twin windows mirror distinct but parallel inversions, revealing the essence of dualities within life itself.&lt;/b&gt;&lt;br /&gt;[visual] - All videos have been re-scanned from old VHS tapes and captured with unique imperfections due to tape decay.&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H1558063802683069244911908523493/Sketches for D I S A P P E A R I I N G - No. 4. - Marko Paunovic [soundscapes] &amp; Egle Saka [video]</image:loc>
                                            <image:caption>&lt;h2&gt;&lt;b&gt;Sketch No. 4&lt;/b&gt;&lt;/h2&gt;&lt;br /&gt;4. the sound landscape (especially in live performances) is complemented by various sound stimuli (submarine recordings, field recordings of a distinctly pastoral character, electro-acoustic clippings...).&lt;br /&gt;4.1. through the presence, getting closer and moving away, thickening and diluting, the composition obtains a specific spatial dimension.&lt;br /&gt;4.1.1. especially relying on the physical characteristics of the performance ambience.&lt;br /&gt;4.1.2. especially during the event.&lt;br /&gt;4.2. noise (as (well as the) silence) is an integral part of the sound space texture.&lt;br /&gt;&lt;br /&gt;7. not an homage, but a consecration.&lt;br /&gt;7.1. to bas jan ader&lt;br /&gt;7.1.1 and his (certainly non-narrative!) (odyssey-like) journey (no return) ’in search of the miraculous’.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;[visual] - &lt;b&gt;Subtle movements and the dance of underwater life draw the viewer into an immersive underwater experience, allowing them to become one with the watery surroundings. The captivating flow and patterns of a school of fish shape the visual narrative, guiding the observer on an aquatic journey that represents the deep waters of ones inner world.&lt;/b&gt;&lt;br /&gt;[visual] - All videos have been re-scanned from old VHS tapes and captured with unique imperfections due to tape decay.&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z1558064176783039059741615295973/Sketches for D I S A P P E A R I I N G - No. 5. - Marko Paunovic [soundscapes] &amp; Egle Saka [video]</image:loc>
                                            <image:caption>&lt;h2&gt;&lt;b&gt;Sketch No. 5&lt;/b&gt;&lt;/h2&gt;&lt;br /&gt;5. ’defrosting’ of voice (hildegard von bingen (performed by maria jonas)) ((and thus) setting into the (performative) scene framework) adds to the intimate-religious character of the composition. &lt;br /&gt;5.1. a shift from the text towards the hint (((intuitive) (suggestive)) (non-narrative) ambience)&lt;br /&gt;5.1.1. is an attempt to set the piece into an imaginary order where (symbolic) meanings are torn out of the power field. &lt;br /&gt;&lt;br /&gt;7. not an homage, but a consecration.&lt;br /&gt;7.1. to bas jan ader&lt;br /&gt;7.1.1 and his (certainly non-narrative!) (odyssey-like) journey (no return) ’in search of the miraculous’.&lt;br /&gt;&lt;br /&gt;[visual] - &lt;b&gt;The viewer drifts above the enigmatic, dark, and wondrous water reflections, entranced by the intricate ripples, perhaps seeking a mirror image of the self. Following the mesmerizing ripples to the fountain&amp;#x27;s edge, where ripples transform into endless droplets, falling back into themselves, forming a circle that continually replenishes the waters. This fountain&amp;#x27;s infinite concept suggests that it mirrors the formless and endless ocean of consciousness, the unified field of existence.&lt;/b&gt;&lt;br /&gt;[visual] - All videos have been re-scanned from old VHS tapes and captured with unique imperfections due to tape decay.&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S1558064420077146647896891559397/Sketches for D I S A P P E A R I I N G - No. 6. - Marko Paunovic [soundscapes] &amp; Egle Saka [video]</image:loc>
                                            <image:caption>&lt;h2&gt;&lt;b&gt;Sketch No. 6&lt;/b&gt;&lt;/h2&gt;&lt;br /&gt;6. a fragment represents the thematic basis.&lt;br /&gt;6.1. a fragment in repetiton (duration) represents its transpositions (continuum).&lt;br /&gt;6.2. a fragment in repetiton (duration) is subject to transformative operations (’chance operations’).&lt;br /&gt;6.2.1. the amplified sound (synthesized into a whole) moves towards variability in its own flow.&lt;br /&gt;6.3. the ultimate sound content, almost from the very beginning, is being stored in the listener’s perception.&lt;br /&gt;6.3.1. retaining the primary form (during the repetition (of the microtonal development (of the theme))), it remains unaltered (code confirmation).&lt;br /&gt;6.3.1.1. the repetition is a reminder is a start anew.&lt;br /&gt;6.3.1.1.1. and anew.&lt;br /&gt;6.4. conceived as infinite 6.4.1. the composition acquires its ultimate form (only (after the end)) in the listener’s consciousness.&lt;br /&gt;&lt;br /&gt;7. not an homage, but a consecration.&lt;br /&gt;7.1. to bas jan ader&lt;br /&gt;7.1.1 and his (certainly non-narrative!) (odyssey-like) journey (no return) ’in search of the miraculous’.&lt;br /&gt;&lt;br /&gt;[visual] - &lt;b&gt;The sea&amp;#x27;s horizon symbolizes the formless boundary, an entrance to consciousness. At its center lies a winding path, overgrown with mossy textures, leading to the edge of the horizon. It suggests that the viewer doesn&amp;#x27;t physically traverse the path but mentally guides themselves through it toward the expansive horizon. This piece invites deep meditative observation of the boundless ocean, creating a unique space for introspective reflection.&lt;/b&gt;&lt;br /&gt;[visual] - All videos have been re-scanned from old VHS tapes and captured with unique imperfections due to tape decay.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/C1558416192772017446215931891173/Vertical67 - Obstacles [2023] music video</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/F1558417719258536289755037666789/quadratschulz - Herb // ANALOGICAL FORCE x EGLE SAKA 2023 // experimental glitch music video collab</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/A1558418396641425420443482557925/Yaporigami Hello World (Egle Saka + The Partisan video) / analog glitch music video</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/D1558419305364931979523414265317/Patricia Ibex Definitivo / ANALOGICAL FORCE / analog glitch music video</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/A1558420092782649509889334545893/AFUS2 - Unknown - Pike [2021] [Egle Saka and The Partisan Video Collab] ANALOG GLITCH MUSIC VIDEO</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/A1558424444185109057235465244133/AF039! Promising/Youngster / egle saka + the partisan video / analog glitch music video</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/Z1559990228688296535337106902501/Dr Trousers - 1 Ōceanus (Egle Saka music video) / RIVERS OF THE UNDERWORLD / glitch mythology /</image:loc>
                                            <image:caption>&lt;h2&gt;TRACK 1 - Ōceanus&lt;br /&gt;&lt;/h2&gt;&lt;br /&gt;Herein lies an intriguing addition — &lt;b&gt;the sixth river, Ōceanus.&lt;/b&gt;&lt;br /&gt;Symbolizing the eternal flow of time, it circumvents the earth disc, intertwining the realms of the living and the deceased. This cosmic concept manifests as a perpetual textural black hole, employing the mesmerizing video feedback technique.&lt;br /&gt;Embark on a journey through the enigmatic INVISIBILIUM, where every track unveils a new facet of mystery and allure.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/T1559991712747304009344243961317/Dr Trousers - 2 Lēthē (Egle Saka video) / RIVERS OF THE UNDERWORLD / glitch mythology /</image:loc>
                                            <image:caption>&lt;h2&gt;TRACK 2 - Lēthē&lt;br /&gt;&lt;/h2&gt;&lt;br /&gt;Step into the mystic realm of Lethe, the river of forgetfulness and unmindfulness, as we journey through the profound landscapes inspired by its ancient Greek origins. &lt;br /&gt;Named after the Greek word for &amp;#x22;oblivion&amp;#x22; or &amp;#x22;forgetfulness,&amp;#x22; Lethe&amp;#x27;s waters induce a complete erasure of memory. In the realm of the deceased, shades were compelled to drink from Lethe to obliterate all recollections of their earthly existence.&lt;br /&gt;According to Plato, excessive consumption led to forgetfulness of all things, emphasizing the potent nature of Lethe&amp;#x27;s influence. Flowing around a cave where Hypnos, the god of sleep, resided, the river emitted a characteristic murmuring sound that induced drowsiness.&lt;br /&gt;Picture Lethe winding through the Fields of Asphodel—endless meadows where ordinary souls, neither virtuous nor wicked, aimlessly wander, their identities lost in the vast fields. &lt;br /&gt;In this visual interpretation, darkness prevails, accompanied by subtle noise and minimal light. The landscape features black grass, stunted poplar trees, and fallen stalagmites, setting the stage for a surreal journey through the liminal space of Lethe. &lt;br /&gt;As millions of lost souls aimlessly gather for a concert that never begins, the atmosphere becomes a captivating embodiment of forgotten memories and the deep currents of Lethe&amp;#x27;s influence.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/S1559993746242583718790375902693/Dr Trousers - 3 Cocytus (Video by Egle Saka) (Experimental Electronic Ambient Glitch Trippy)</image:loc>
                                            <image:caption>&lt;h2&gt;TRACK 3 - COCYTUS&lt;/h2&gt;&lt;br /&gt;Embark on an ethereal journey into the haunting depths of Cocytus, the River of Wailing, as the sonic landscape of Invisibilium takes a progressively darker and more eerie turn. In this analog dreamscape, hidden black streams weave through the abyss, mirroring the album&amp;#x27;s descent into deeper realms.&lt;br /&gt;Cocytus is distinctively described as a frozen lake or swamp rather than a conventional river, originating from the same infernal source as its counterparts. The darkness intensifies, creating cold wavelets that ripple through the dreamscapes, embodying the chilling essence of Cocytus.&lt;br /&gt;For the souls refused passage by Charon, the boatman of the Underworld, due to their inability to pay the fee with gold or coins, the riverbank of Cocytus becomes their eternal wandering grounds. &lt;br /&gt;Within this visual interpretation, the analog dreamscapes become a haunting reflection of the forsaken souls trapped along the icy shores of Cocytus, where cries and lamentations echo through the frozen waters.&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/O1559994479556000880966181293541/Dr Trousers - Invisibilium - 4 Acherōn (Egle Saka video) / RIVERS OF THE UNDERWORLD / glitch myth /</image:loc>
                                            <image:caption>&lt;h2&gt;TRACK 4 - ACHERōN&lt;/h2&gt;&lt;br /&gt;&lt;br /&gt;Embark on an otherworldly journey to the banks of Acheron, the River of Pain and gateway to the Underworld, as Invisibilium unfolds its dark tapestry. &lt;br /&gt;Acheron, both a physical and metaphysical boundary, stood as an impassable barrier between the mortal realm and the mysteries of the Underworld.In the mythic expanse of Acheron, Charon, the enigmatic ferryman, navigated the souls across its somber waters on a skiff. &lt;br /&gt;Payment, symbolized by coins placed in the eyes or mouth during funeral rites, determined passage. Those unable to afford the journey were consigned to wander the desolate shores of Acheron, potentially manifesting as ghosts in the mortal world.The spectral essence of Acheron, located in the Epirus region of northwest Greece, transcends time. &lt;br /&gt;Even today, walking its ancient banks evokes a profound sense of awe, standing at the precipice between life and death. Though I&amp;#x27;ve not physically trodden these hallowed grounds, I&amp;#x27;ve dreamt of them through my analog lens. Have you ventured into the haunting embrace of Acheron&amp;#x27;s realm?</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/G1559995081454813262035140972005/Dr Trousers  - 5 Styx - Invisibilium (Egle Saka video) / RIVERS OF THE UNDERWORLD / GLITCH MYTHOLOGY</image:loc>
                                            <image:caption>&lt;h2&gt;TRACK 5 - STYX&lt;/h2&gt;&lt;br /&gt;&lt;br /&gt;Immerse yourself in the enigmatic currents of Styx, a river of divine oaths and endless textures, as the Invisibilium journey delves into its cold, shuddering waters. &lt;br /&gt;According to ancient beliefs, the river&amp;#x27;s potent waters were deemed poisonous and capable of dissolving any vessel, save one crafted from the hoof of a horse.&lt;br /&gt;Styx, later identified with the stream known as Mavronéri (&amp;#x22;Black Water&amp;#x22;), holds a mystical aura that transcends time. Dipping one&amp;#x27;s body into these shadowy depths was said to bestow the gift of immortality. &lt;br /&gt;A renowned example is the demigod Achilles, whose mother, Thetis, submerged him into the river, holding him by the heel. This act rendered him invulnerable, save for his Achilles&amp;#x27; heel—a vulnerability later exploited by Apollo. &lt;br /&gt;The echoes of Styx resonate through history, weaving into the fabric of myth and reality.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/I1559995562896386841780728597989/Dr Trousers - 6 - Phlegethōn / Egle Saka music video / RIVERS OF THE UNDERWORLD / glitch mythology</image:loc>
                                            <image:caption>&lt;h2&gt;TRACK 6 - PHLEGETHōN&lt;/h2&gt;&lt;br /&gt;&lt;br /&gt;Embark on a chromatic journey through the fiery depths of the River Phlegethon, where hues of 🔴 RED 🔴 collide with the haunting melodies of Invisibilium. &lt;br /&gt;As I delved into the mysteries of this river, a vivid tapestry of black and white unfolded, revealing a nuanced interplay of fiery darkness and luminous light. May you immerse yourself in the textural waves that traverse the essence of Phlegethon.&lt;br /&gt;Phlegethon, known as the river of fire, takes on various interpretations, with Plato describing it as a stream of fire encircling the earth and descending into the depths of Tartarus. &lt;br /&gt;Dante, in his epic Inferno, envisioned Phlegethon as a river of blood, its relentless boil a punishment for souls who committed severe crimes in their earthly existence. Each soul, assigned a specific level within the boiling river of fire, faces retribution commensurate with the gravity of their transgressions. &lt;br /&gt;In the haunting realm of Phlegethon, the river&amp;#x27;s fiery currents intertwine with the unfolding narrative of Invisibilium, crafting an evocative experience that transcends the boundaries of sound and vision.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/S1560012930007870149333417168357/Thicker Than Blood · Petra Haller [tap dance] · Meg Morley [piano] · Egle Saka [video]</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/X1560015679144586198341604052453/New Borders, Antti Lähdesmäki, Ben Rodney, Adrian Åsling Sellius, Sebastians Macats + Egle Saka</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/S1560018773493670842750339878373/SISYPHEAN (Lithuania) - Sovereigns of Livid Hope OFFICIAL VIDEO by Egle Saka (Dissonant Black Metal)</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/U1560022476068801085510411587045/Oliver ft XTR HUMAN - Leathered Storm / KHOINIX records / gothic electronic glitch art music video</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/O1561503437406776514971015286245/Unknown Artist -- We Can Dance Together ( video edit by Egle Saka + Sin Of The Father ) / glitch art</image:loc>
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        </url>
            <url>
                        <loc>https://portfolio.eglesaka.com/projection</loc>
            
            
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            <url>
                        <loc>https://portfolio.eglesaka.com/vjlive</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/W1561506367911880296691513658853/NOISEMAS at IKLECTIK London 2023 // Egle Saka + Rick Jensen live noise set ///</image:loc>
                                            <image:caption>// LIVE VISUAL PERFORMANCE OF THE CYBORGIAN MONOLOGUE PIECE&lt;br /&gt;// SOUND IMPROV SET BY THE ONEIROGIST &lt;br /&gt;// VIDEO CAPTURE AND EDIT BY JAMES ALEC HARDY</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/O1561511049271251090480394112485/Iklectik presents: Noisemas III 2023</image:loc>
                                            <image:caption>&lt;b&gt;Featured: Howlround, The Seer 2.0, Pascal Savy, Egle Saka, Sculpture, Blanca Regina, Hivern Liminal and more&lt;/b&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/G1561515133251261801259155033573/NOISEMAS III performance: Raxil 4 Drones + Egle Saka&#039;s Live Analog Glitch Projections at IKLECTIK</image:loc>
                                            <image:caption>Enjoy this 20 min live audiovisual noise improvisation set with Andrew Page at NOISEMAS III IKLECTIK. </image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/D1561515452416827764581817093605/Howlround and Hivern Liminal: Noisemas III Iklectik : Visuals by Egle Saka</image:loc>
                                            <image:caption>&lt;b&gt;Robin the Fog + Hivern Liminal + Egle Saka &lt;br /&gt;
performance available to watch in VR!&lt;br /&gt;Recorded with an Insta 360 X by James Alec Hardy&lt;/b&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Q1561540178451030908938512731621/Petra Haller presents: Wandsworth Fringe Tap Dance Days feat. video art projection by Egle Saka</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X1561556448885132290384648179173/CINESONIC - Audiovisual encounters: video scores in dialogue with sound / LIVE at IKLECTIK (Part 2)</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/B1561556943073406025063535971813/CINESONIC - Audiovisual encounters: video scores in dialogue with sound / LIVE at IKLECTIK (Part 3)</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/K1561566099889590261895281741285/Sphere // live improvisation and experimental audiovisual performance // 2022</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/M1561569504512910226098675748325/ORGANISM - live participatory performance / audio-visual / sound-reactive analog glitch visuals</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/W1561570598921342631138954022373/Egle Saka (visuals) + Listening Circuits (sound) live performance at IKLECTIK, London</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/V1561573180580069234938121784805/[Livestreamed AV/VJ set] Studio Sova #17 :: Part 1 :: DB1 ::</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/F1561573428817904234847557881317/[Livestreamed AV/VJ set] Studio Sova #17 :: Part 2 :: The Vision Reels ::</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/E1561573735181429811015791119845/[Livestreamed AV/VJ set] Studio Sova #17 :: Part 3 :: Alexander ::</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/R1561574497068853543367691963877/[Livestreamed AV/VJ set] Studio Sova #17 :: Part 4 :: Rob Vanden ::</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/M1561574808099405370184441761253/[Livestreamed AV/VJ set] Studio Sova #17 :: Part 5 :: Chris Inperspective ::</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/R1561581915168728368631940615653/the oneirologist, raxil4 + hywel jones - iklectik, noisemas: 18​/​12​/​22</image:loc>
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